Ordet

| 1955

Directed by: Carl Theodor Dreyer

Main Plot

Ordet, directed by Carl Theodor Dreyer, is a Danish film that delves into the complexities of faith, doubt, and the miraculous. Set in a rural village, the story revolves around the Borgen family, who are grappling with various personal and spiritual crises. The patriarch, Morten Borgen, is a devout Christian, while his three sons each represent different attitudes towards religion: one is a fervent believer, another is a skeptic, and the third suffers from a mental condition that makes him believe he is Jesus Christ. Tensions rise as the family faces a series of challenges, including illness and death, which test their beliefs and relationships. The film culminates in a profound and unexpected event that forces the characters to confront the nature of faith and the possibility of miracles. Through its contemplative pacing and stark cinematography, Ordet explores the intersection of human suffering and divine intervention, leaving a lasting impact on its audience.

Characters

  • Henrik Malberg portrays Morten Borgen, the patriarch whose unwavering faith and family dynamics drive the central conflict and resolution in the story.
  • Emil Hass Christensen portrays Mikkel Borgen, a farmer's son struggling with faith, whose family faces a crisis that challenges their beliefs and relationships.
  • Preben Lerdorff Rye plays Johannes, who believes he's Jesus Christ, bringing tension and eventual miraculous resolution to the family's struggles with faith and death.

Ending Explained

In the concluding scenes of Carl Theodor Dreyer's film "Ordet," the central conflict surrounding faith and miracles reaches its climax. The film, set in a rural Danish village, revolves around the Borgen family, particularly Johannes, who believes himself to be Jesus Christ. The family is struck by tragedy when Inger, the wife of Mikkel Borgen, dies during childbirth. Her death plunges the family into deep sorrow and tests their faith. As the family and villagers gather for Inger's funeral, Johannes, who had been dismissed as insane, suddenly appears with a newfound clarity and conviction. He approaches Inger's coffin and, in a moment of profound spiritual intensity, commands her to rise in the name of Christ. To the astonishment of everyone present, Inger miraculously awakens from death, symbolizing the triumph of faith and the possibility of miracles. The film concludes with a powerful affirmation of faith, as the characters, previously divided by their differing beliefs, are united in awe and reverence. This miraculous event serves as a testament to the power of unwavering belief and the potential for divine intervention in human affairs.

Carl Theodor Dreyer Drama Henrik Malberg Emil Hass Christensen Preben Lerdorff Rye