Satantango

| 1994

Directed by: Béla Tarr

Main Plot

Satantango is set in a desolate Hungarian village during the aftermath of a failed collective farm. The story unfolds over seven hours, following the lives of the villagers as they grapple with despair, betrayal, and the promise of a better future. The narrative centers around the return of a mysterious figure, Irimias, who brings hope of a new beginning but also manipulates the villagers for his own gain. As the community becomes increasingly fragmented, the film explores themes of human nature, isolation, and the cyclical nature of despair. The characters' lives intertwine through a series of bleak and haunting events, revealing their struggles and moral dilemmas. The slow, deliberate pacing and striking black-and-white cinematography create an immersive atmosphere, reflecting the bleakness of their existence and the inevitability of their choices. Ultimately, Satantango presents a profound meditation on the human condition amidst a decaying world.

Characters

  • Mihály Vig plays Irimiás, a manipulative leader who deceives a disillusioned community into following him, promising a new beginning but ultimately leading them to ruin.
  • Putyi Horváth is a disabled boy who experiences neglect and abuse, tragically reflecting the moral decay within the community depicted in the story.
  • László feLugossy plays the character Kelemen, a doctor who observes and chronicles the decay and manipulation of a small community, serving as a cynical, detached commentator.

Ending Explained

In the ending of Satantango, the narrative culminates in a haunting and cyclical resolution that reflects the film's themes of despair and futility. After a series of bleak events, the characters find themselves trapped in a desolate landscape, both physically and emotionally. The arrival of Irimias, who represents a manipulative force, leads to a sense of false hope among the villagers. However, his promises ultimately unravel, revealing the emptiness of their aspirations. As the film progresses, the villagers' attempts to escape their grim reality are thwarted by their own complicity and the oppressive environment. The final scenes depict a slow, almost ritualistic procession, emphasizing the inescapable nature of their existence. The characters are shown in a state of resignation, moving in a repetitive manner that mirrors the film's long takes and deliberate pacing. The ending reinforces the overarching narrative of stagnation and the cyclical nature of life in the village. It leaves viewers with a profound sense of bleakness, suggesting that despite their desires for change, the characters remain ensnared in a cycle of despair, highlighting the film's exploration of human suffering and the futility of hope in a harsh world.

Béla Tarr Drama Mihály Vig Putyi Horváth László feLugossy