Some Like It Hot

| 1959

Directed by: Billy Wilder

Main Plot

Some Like It Hot follows two musicians, Joe and Jerry, who witness a mob hit in Chicago during the Prohibition era. To escape the gangsters, they disguise themselves as women and join an all-female band heading to Florida. As "Josephine" and "Daphne," they navigate the challenges of their new identities while trying to avoid detection by the mob. In Florida, Joe falls for the band's lead singer, Sugar Kane, complicating their ruse. Meanwhile, Jerry attracts the attention of a wealthy suitor, further entangling their situation. The film explores themes of identity, love, and the lengths people will go to for safety and acceptance, all while delivering sharp humor and memorable comedic moments. As the plot unfolds, the tension between their true selves and their disguises leads to a series of hilarious misunderstandings and close calls with the mob.

Characters

  • Marilyn Monroe plays Sugar Kane, a singer and ukulele player who dreams of marrying a millionaire, unaware she's befriending two musicians disguised as women.
  • Tony Curtis plays Joe, a musician who disguises himself as a woman named Josephine to escape mobsters, while also pursuing a romantic interest in Sugar Kane.
  • Jack Lemmon plays Jerry, a musician who disguises himself as "Daphne" to escape mobsters, joining an all-female band and creating comedic chaos.

Ending Explained

In the ending of Some Like It Hot, the main conflict reaches resolution as the two protagonists, Joe and Jerry, who have been disguising themselves as women to escape the mob, find themselves entangled in a web of deception and mistaken identities. After a series of comedic and chaotic events, they are confronted by the mobsters, leading to a climactic chase. Ultimately, Joe reveals his true identity to Sugar, the woman he has fallen for, but she is initially confused and hurt. However, in a final twist, Joe's attempt to win her back is interrupted by Jerry, who is still in his female disguise. The film culminates in a humorous exchange where Jerry, still dressed as a woman, declares he is not a man, leading to a comedic revelation about identity and love. The ending ties together the film's themes of disguise, gender roles, and the pursuit of happiness. The characters find a sense of liberation in their identities, and the resolution emphasizes the absurdity of their situations while reinforcing the idea that love transcends appearances. The film concludes on a light-hearted note, leaving the audience with a sense of joy and laughter.

Billy Wilder Comedy Music Romance Marilyn Monroe Tony Curtis Jack Lemmon