Tutta colpa di Freud

Main Plot

"Tutta colpa di Freud," directed by Paolo Genovese, is a comedic drama that revolves around a middle-aged psychoanalyst grappling with the romantic entanglements of his three daughters. Each daughter faces unique challenges: one is a young woman who falls for an older man, another is a bookstore owner struggling with her sexual identity, and the third is a teenager infatuated with a much older, married man. As the father attempts to guide them through their emotional turmoil, he finds his own life increasingly complicated. The film explores themes of love, identity, and the complexities of modern relationships, blending humor with heartfelt moments as the characters navigate their intertwined lives.

Characters

• Marco Giallini plays Francesco, a psychologist navigating the complexities of his three daughters' love lives, while also dealing with his own romantic challenges.
• Vittoria Puccini plays Marta, a woman who returns to Italy after living abroad. Her return complicates her father's life as he navigates his daughters' romantic entanglements.
• Anna Foglietta plays Marta, a deaf woman who falls in love with a man she can't communicate with, adding complexity and emotional depth to the story.

Ending Explained

In the movie "Tutta colpa di Freud," directed by Paolo Genovese, the conclusion ties together the intertwined lives of the main characters, centering on Francesco, a middle-aged psychoanalyst. Throughout the film, Francesco grapples with the romantic and personal dilemmas of his three daughters: Sara, who is struggling with her sexual identity; Marta, who is infatuated with a deaf-mute man; and Emma, who is involved with a much older, married man. In the ending, each daughter finds a resolution to her conflicts. Sara embraces her true self and begins a genuine relationship with a woman she loves. Marta realizes that her feelings for the deaf-mute man are not reciprocated and decides to move on, finding solace in her own independence. Emma, after much turmoil, decides to end her affair with the older man, choosing to prioritize her own well-being and future. Francesco, having navigated his daughters' crises, also finds personal closure. He rekindles a romantic relationship with his ex-wife, suggesting a hopeful new beginning for their family. The film concludes on a note of reconciliation and self-discovery, emphasizing the importance of understanding and accepting oneself and others.